Teal Triggs

Editorial
Visual Communication 2009 8: 243-247. [PDF] [References] [Request Permission]  

Jeff Bezemer and Gunther Kress

Visualizing English: a social semiotic history of a school subject
Visual Communication 2009 8: 247-262. [Abstract] [PDF] [References] [Request Permission]  

Hakan Ertep

Chaos or homogenization? The role of shop signs in transforming urban fabric in Beyolu, Istanbul
Visual Communication 2009 8: 263-272. [Abstract] [PDF] [References] [Request Permission]  

Michael Hohl

Beyond the screen: visualizing visits to a website as an experience in physical space
Visual Communication 2009 8: 273-284. [Abstract] [PDF] [References] [Request Permission]  

Angela D. Norwood

Remote messaging: exploring graphic manifestations of human relationships to the terrain through site markers and cognitive mapping in Ladakh, India
Visual Communication 2009 8: 285-302. [Abstract] [PDF] [References] [Request Permission]  

Sally McLaughlin

Information design and the world that comes before us
Visual Communication 2009 8: 303-316. [Abstract] [PDF] [References] [Request Permission]  

Peter Nencini

Star City
Visual Communication 2009 8: 317-324. [PDF] [References] [Request Permission]  

Kirsten Lavers

ReMark: anecdoted typography of mark
Visual Communication 2009 8: 325-338. [PDF] [Request Permission]  

Anna Paula Silva Gouveia, Priscila Lena Farias, and Patrícia Souza Gatto

Letters and cities: reading the urban environment with the help of perception theories
Visual Communication 2009 8: 339-348. [Abstract] [PDF] [References] [Request Permission]  

Claire Ironside and Angela Iarocci

FishNet: the Great Lakes Craft and Release Project
Visual Communication 2009 8: 349-360. [Abstract] [PDF] [Request Permission]  

Gillian Serisier

Exhibition review: BILL VIOLA LOVE/DEATH: The Tristan Project, Art Gallery of New South Wales and St Saviour's Church, Redfern, Sydney, Australia. April 2008
Visual Communication 2009 8: 361-365. [PDF] [References] [Request Permission]  

Phil Jones

Book review: TIMOTHY DONALDSON Shapes for Sounds (Cowhouse): Why Alphabets Look Like They Do, What Has Happened to Them Since Printing Was Invented, Why They Won't Ever Change, and How It Might Have Been. New York: Mark Batty Publisher, 2008. 176 pp. ISBN 978-0-9799666-2-0
Visual Communication 2009 8: 367-370. [PDF] [References] [Request Permission]  

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